Here I am setting up the scene, using a mix of different buildings and doing the street layout. When working in VFX and creating a full CG shot, reference is always key, it's the one thing that shows you how our reality is and we can always fall back on that. These are some of the building references I got together. To start the visual process I usually like to work with a pinterest board to get inspiration flowing before I start to dive into 3D. That way you can explain what we are looking at, and why things are in a certain way, such as lighting, texturing, etc. When you start this process, try to make-up a story that fits well within your scene. I wanted to take that look a bit further, creating a more futuristic slum with unified colors. Something that would fill our frame, something condensed that goes well with the architecture. "When you start this process, try to make-up a story that fits well within your scene" Inspirationįor this practice I wanted to focus on something different, no wide angle lensin\.
In this demo I will be using Kitbash3D models to be able to flash out a quick scene. There are multiple ways of doing it and also multiple software available but in this tutorial I’ll explain my workflow using Maya, Redshift, Nuke and Photoshop. I am using this method on a daily basis to work on my DMPs or concept stills. It helps to quickly visualize something that might have taken more time using a more traditional 3D route. Painting over 3D renders is a very useful technique to save time in the overall 3D process. In Part 1 of this Process Technique article, I'll be talking about setting up a 3D scene in Maya with Redshift to enable a 3D paint over as this is a great technique to know! I am closely involved in pre-production and concept development from the start of the commercial or film, with previs and on-set VFX Supervision. Working as Senior Visual Effects Artist for Post Panic.
Hi! I'm Guido Ekker and I am a Senior VFX artist and Filmmaker living in Amsterdam, The Netherlands.
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